Do Re MiC D E

Butterfly

Hancock Herbie4/4funk
Am11
C♯m11
Am11
F♯m11
Am11
C♯m11
Am11
F♯m11
C♯7♯9♯5
Cmaj7/B♭
Cmaj7♯5/B♭
Cmaj7/B♭
D13
G13sus4
%
G7♯9♯5
G7♯9♯5
C13sus4
C13sus4/C
E7/E
Am11
%
%
%
%
%
%
%
D13
%
%
%
%
%
%
%
C♯maj7♯11

Chord Diagrams — Butterfly in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Am11
5frEADGBE111114
EADGBEx1
3frEADGBE111342
10frEADGBE11x234
C♯m11
7frEADGBE111342
EADGBE111x23
9frEADGBE111114
11frEADGBE11xx23
F♯m11
7frEADGBE11x234
EADGBE231
EADGBE111114
4frEADGBE11xx23
D7
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
C♯7♯9♯5
C♯ - F - A - B - E
Cmaj7/B♭
10frEADGBE333xx1
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
Cmaj7♯5/B♭
8frEADGBE1432
EADGBEx321
3frEADGBEx1423
5frEADGBE4321
D13
8frEADGBE4231
EADGBExx412
5frEADGBE111134
10frEADGBE1x234x
G13sus4
9frEADGBEx21334
EADGBE321
3frEADGBE11x234
3frEADGBE111324
G7♯9♯5
G - B - D♯ - F - A♯
C13sus4
8frEADGBE111324
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
C13sus4/C
8frEADGBE111324
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
E7/E
9frEADGBE111xx2
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
C♯maj7♯11
9frEADGBE111234
EADGBEx42311
4frEADGBE11x234
8frEADGBE111123

Explore More

Butterfly in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C# (ascending major third), C# to A (descending major third), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to D (descending major third), D to C# (descending half step), C# to C (descending half step), C to C (ascending unison), C to D (ascending whole step), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to E (ascending major third), E to C# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 53 bars · Form: AB

Chords: Am7, C♯m7, Am11, C♯m11, F♯m11, D7, C♯7♯9♯5, Cmaj7/B♭, Cmaj7♯5/B♭, D13, G13sus4, G7♯9♯5, C13sus4, C13sus4/C, E7/E, C♯maj7♯11.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A