Do Re MiC D E

Butterfly

Hancock Herbie4/4funk
Cm11
Em11
Cm11
Am11
Cm11
Em11
Cm11
Am11
E7♯9♯5
D♯maj7/B♭
D♯maj7♯5/B♭
D♯maj7/B♭
F13
A♯13sus4
%
A♯7♯9♯5
A♯7♯9♯5
D♯13sus4
D♯13sus4/C
G7/E
Cm11
%
%
%
%
%
%
%
F13
%
%
%
%
%
%
%
Emaj7♯11

Chord Diagrams — Butterfly in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
Em11
3frEADGBE321
EADGBE1
5frEADGBE11x234
10frEADGBE111342
Am11
3frEADGBE111342
EADGBEx1
5frEADGBE111114
10frEADGBE11x234
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
E7♯9♯5
E - G♯ - C - D - G
D♯maj7/B♭
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
D♯maj7♯5/B♭
3frEADGBE111432
5frEADGBEx213x4
6frEADGBEx1423x
11frEADGBE11x234
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
A♯13sus4
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
A♯7♯9♯5
A♯ - D - E♯# - G♯ - B♯#
D♯13sus4
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
D♯13sus4/C
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
G7/E
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123

Explore More

Butterfly in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to E (ascending major third), E to C (descending major third), C to E (ascending major third), E to A (ascending perfect fourth), A to F (descending major third), F to E (descending half step), E to D# (descending half step), D# to D# (ascending unison), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G (ascending major third), G to E (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to C by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 53 bars · Form: AB

Chords: Cm7, Em7, Cm11, Em11, Am11, F7, E7♯9♯5, D♯maj7/B♭, D♯maj7♯5/B♭, F13, A♯13sus4, A♯7♯9♯5, D♯13sus4, D♯13sus4/C, G7/E, Emaj7♯11.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C