All Or Nothing At All in Re#

Arthur Altman()balladModerately Slow
A
A
B
A

Chord Diagrams — All Or Nothing At All in Re# (Guitar)

Dom
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Dom7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Dom6
EADGBE11x324
3frEADGBEx13x247frEADGBE2222x18frEADGBE111234
Do♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
Do♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
Do♯aug
EADGBE11x234
4frEADGBE1111346frEADGBE11432x9frEADGBE11x423
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
La♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
Solm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
Do7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Fam
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Rem7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Fam7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
La♯711
Re♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Re♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
Si
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Siaug
EADGBEx21x
3frEADGBExx42317frEADGBE1x423x12frEADGBE11x32
Si6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
Fa♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Mi
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
Fa♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Fa♯aug
EADGBExx4231
EADGBE11xx2x7frEADGBE11x32x11frEADGBE11432x
Do♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
La♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
Re♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Sol♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2

All Or Nothing At All in Re#

All Or Nothing At All in Re#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to C# (ascending half step), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to A# (descending minor third), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to B (descending major third), B to B (ascending unison), B to B (ascending unison), B to F# (descending perfect fourth), F# to E (descending whole step), E to F# (ascending whole step), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to E (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to C by major third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 64 bars · Form: AABA

Chords: Dom, Dom7, Dom6, Do♯9, Do♯6, Do♯aug, Do♯7, La♯m, Solm7♭5, Do7♭9, Fam, Rem7♭5, Sol7, Fam7♭5, La♯711, Re♯, Re♯6, Si, Siaug, Si6, Fa♯7, Mi, Fa♯9, Fa♯aug, Do♯m7, La♯m7♭5, Re♯7, Sol♯m, Mi7.

Scales for Improvisation Re# bebop, Re# bebop major.