All Or Nothing At All in La#

Arthur Altman()balladModerately Slow
A
A
B
A

Chord Diagrams — All Or Nothing At All in La# (Guitar)

Solm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
Solm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Solm6
EADGBE2222x1
3frEADGBE1112345frEADGBE111x328frEADGBE11x324
Sol♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
Sol♯6
EADGBE1111x3
3frEADGBE2x143x6frEADGBE111x349frEADGBEx4231x
Sol♯aug
EADGBE11432x
4frEADGBE1x423x5frEADGBE11xx2x9frEADGBE11x32x
Sol♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Fam
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Rem7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
Sol7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
Dom
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Lam7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
Re7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Dom7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
Fa711
La♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
La♯6
EADGBE3333x1
5frEADGBE21346frEADGBE113x2410frEADGBEx4231x
Fa♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Fa♯aug
EADGBExx4231
EADGBE11xx2x7frEADGBE11x32x11frEADGBE11432x
Fa♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Si
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Do♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
Do♯aug
EADGBE11x234
4frEADGBE1111346frEADGBE11432x9frEADGBE11x423
Sol♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Fam7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
La♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Re♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
Si7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132

All Or Nothing At All in La#

All Or Nothing At All in La#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to G (ascending unison), G to G (ascending unison), G to G# (ascending half step), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to F (descending minor third), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to D (ascending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to F# (descending major third), F# to F# (ascending unison), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to B (descending whole step), B to C# (ascending whole step), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to B (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to G by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 64 bars · Form: AABA

Chords: Solm, Solm7, Solm6, Sol♯9, Sol♯6, Sol♯aug, Sol♯7, Fam, Rem7♭5, Sol7♭9, Dom, Lam7♭5, Re7, Dom7♭5, Fa711, La♯, La♯6, Fa♯, Fa♯aug, Fa♯6, Do♯7, Si, Do♯9, Do♯aug, Sol♯m7, Fam7♭5, La♯7, Re♯m, Si7.

Scales for Improvisation La# bebop, La# bebop major.