All Or Nothing At All in La

Arthur Altman()balladModerately Slow
A
A
B
A

Chord Diagrams — All Or Nothing At All in La (Guitar)

Fa♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Fa♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Fa♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
Sol9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Sol6
EADGBE21
EADGBE2x143x5frEADGBE111x3410frEADGBE3333x1
Solaug
EADGBE321x
3frEADGBE1x423x4frEADGBE11xx2x8frEADGBE11x32x
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Mim
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Do♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
Fa♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
Sim
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Sol♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Sim7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
Mi711
La
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
La6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
Fa
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
Faaug
EADGBExx4231
6frEADGBE11x32x8frEADGBEx1x34210frEADGBE11432x
Fa6
EADGBE11x324
3frEADGBE111x346frEADGBEx4231x8frEADGBE113333
Do7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
La♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
Do9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
Doaug
EADGBE11x32x
3frEADGBEx1423x5frEADGBE11432x8frEADGBExx4231
Solm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Mim7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
La7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Rem
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
La♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x

All Or Nothing At All in La

All Or Nothing At All in La

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to F# (ascending unison), F# to G (ascending half step), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to E (descending minor third), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to F (descending major third), F to F (ascending unison), F to F (ascending unison), F to C (descending perfect fourth), C to A# (descending whole step), A# to C (ascending whole step), C to C (ascending unison), C to G (descending perfect fourth), G to E (descending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to F# by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 64 bars · Form: AABA

Chords: Fa♯m, Fa♯m7, Fa♯m6, Sol9, Sol6, Solaug, Sol7, Mim, Do♯m7♭5, Fa♯7♭9, Sim, Sol♯m7♭5, Do♯7, Sim7♭5, Mi711, La, La6, Fa, Faaug, Fa6, Do7, La♯, Do9, Doaug, Solm7, Mim7♭5, La7, Rem, La♯7.

Scales for Improvisation La bebop, La bebop major.