All Or Nothing At All in Do#

Arthur Altman()balladModerately Slow
A
A
B
A

Chord Diagrams — All Or Nothing At All in Do# (Guitar)

La♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
La♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
La♯m6
EADGBEx13x24
3frEADGBEx2314x5frEADGBE2222x16frEADGBE111234
Si9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Si6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
Siaug
EADGBEx21x
3frEADGBExx42317frEADGBE1x423x12frEADGBE11x32
Si7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Sol♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
Fam7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
La♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
Re♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
Dom7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
Fa7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Re♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
Sol♯711
Do♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
Do♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
La
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
Laaug
EADGBEx4231
2frEADGBE11432x5frEADGBE11x42310frEADGBE11x32x
La6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Re
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
Mi9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
Miaug
EADGBE4312
5frEADGBE11x32x7frEADGBEx3211x9frEADGBE11432
Sim7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Sol♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Fa♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Re7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132

All Or Nothing At All in Do#

All Or Nothing At All in Do#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to A# (ascending unison), A# to B (ascending half step), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to G# (descending minor third), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to A (descending major third), A to A (ascending unison), A to A (ascending unison), A to E (descending perfect fourth), E to D (descending whole step), D to E (ascending whole step), E to E (ascending unison), E to B (descending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 64 bars · Form: AABA

Chords: La♯m, La♯m7, La♯m6, Si9, Si6, Siaug, Si7, Sol♯m, Fam7♭5, La♯7♭9, Re♯m, Dom7♭5, Fa7, Re♯m7♭5, Sol♯711, Do♯, Do♯6, La, Laaug, La6, Mi7, Re, Mi9, Miaug, Sim7, Sol♯m7♭5, Do♯7, Fa♯m, Re7.

Scales for Improvisation Do# bebop, Do# bebop major.