Do Re MiC D E

You Take My Breath Away

Queen (Freddie Mercury)4/4rock♩= 82
C♯m6/C
%
C♯m6/C
%
C♯m/C
B/C
C♯m/C
C♯m6/C
%
F♯7sus4
B/G
%
C♯m6/C
%
C♯m/C
B/C
C♯m/C
C♯m6/C
%
F♯7sus4
B/G
%
C♯m6/C
%
E/B♭
%
%
%
F♯m/C
C♯m7/G
B/G
%
C♯m6/C
%
C♯m/C
B/C
C♯m/C
C♯m/C
B/C
C♯m/C
E/B♭
%
%
%
F♯m/C
C♯m7/G
B/G
%
C♯m6/C
%
%

Chord Diagrams — You Take My Breath Away in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯m6/C
EADGBE11x324
5frEADGBExx2314
8frEADGBE2x134x
9frEADGBE111234
C♯m/C
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
B/C
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
Gdim7
EADGBE3x142
EADGBE31x42
3frEADGBE111234
5frEADGBExx1324
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
B/G
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Ddim7
4frEADGBE11x234
EADGBExx23
7frEADGBEx2431
10frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
E/B♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
F♯m/C
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
C♯m7/G
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Edim7
EADGBExx1324
EADGBE123
6frEADGBEx2314x
11frEADGBE112x3x

Explore More

You Take My Breath Away in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to B (descending whole step), B to G (descending major third), G to G# (ascending half step), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to D (ascending minor third), D to C# (descending half step), C# to E (ascending minor third), E to E (ascending unison), E to G# (ascending major third), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to E (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 77 bars · Form: ABCD

Chords: G♯m7, C♯m6/C, C♯m/C, B/C, Gdim7, G♯m, F♯, B, F♯7sus4, F♯9, B/G, Ddim7, C♯m7, E/B♭, E, G♯7, F♯m/C, C♯m7/G, Edim7.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#