Do Re MiC D E

You Take My Breath Away

Queen (Freddie Mercury)4/4rock♩= 82
D/B♭
%
%
%
Bm7/G
A/G
%
Bm6/C
%
Bm/C
A/C
Bm/C
Bm/C
A/C
Bm/C
D/B♭
%
%
%
Bm7/G
A/G
%
Bm6/C
%
%

Chord Diagrams — You Take My Breath Away in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bm6/C
EADGBExx2314
EADGBE2314
6frEADGBE2x134x
7frEADGBE111234
Bm/C
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
A/C
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
Fdim7
EADGBE11xx34
EADGBE1x23
7frEADGBE111234
12frEADGBE3x142x
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
E
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
E9
EADGBE213
EADGBE113x42
6frEADGBE221334
9frEADGBE11112
A/G
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Cdim7
EADGBExx1324
EADGBE11x234
7frEADGBE112x3x
10frEADGBE11xx34
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
D/B♭
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
Em/C
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
Bm7/G
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Ddim7
EADGBExx23
4frEADGBE11x234
7frEADGBEx2431
10frEADGBE111234

Explore More

You Take My Breath Away in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to B (ascending unison), B to A (descending whole step), A to F (descending major third), F to F# (ascending half step), F# to E (descending whole step), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to C (ascending minor third), C to B (descending half step), B to D (ascending minor third), D to D (ascending unison), D to F# (ascending major third), F# to E (descending whole step), E to B (descending perfect fourth), B to D (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to F# by major third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 77 bars · Form: ABCD

Chords: F♯m7, Bm6/C, Bm/C, A/C, Fdim7, F♯m, E, A, E7sus4, E9, A/G, Cdim7, Bm7, D/B♭, D, F♯7, Em/C, Bm7/G, Ddim7.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#