Do Re MiC D E

You Take My Breath Away

Queen (Freddie Mercury)4/4rock♩= 82
Dm6/C
%
Dm6/C
%
Dm/C
C/C
Dm/C
Dm6/C
%
G7sus4
C/G
%
Dm6/C
%
Dm/C
C/C
Dm/C
Dm6/C
%
G7sus4
C/G
%
Dm6/C
%
F/B♭
%
%
%
Gm/C
Dm7/G
C/G
%
Dm6/C
%
Dm/C
C/C
Dm/C
Dm/C
C/C
Dm/C
F/B♭
%
%
%
Gm/C
Dm7/G
C/G
%
Dm6/C
%
%

Chord Diagrams — You Take My Breath Away in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Dm6/C
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
Dm/C
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
C/C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
G♯dim7
6frEADGBExx1324
EADGBExx12
EADGBE112x34
10frEADGBE111234
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
C/G
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
D♯dim7
5frEADGBE11x234
EADGBExx1324
7frEADGBExx1324
10frEADGBE112x3x
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
F/B♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
Gm/C
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
Dm7/G
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Fdim7
7frEADGBE111234
EADGBE1x23
EADGBE11xx34
12frEADGBE3x142x

Explore More

You Take My Breath Away in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to D (ascending unison), D to C (descending whole step), C to G# (descending major third), G# to A (ascending half step), A to G (descending whole step), G to C (ascending perfect fourth), C to G (descending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to D (descending half step), D to F (ascending minor third), F to F (ascending unison), F to A (ascending major third), A to G (descending whole step), G to D (descending perfect fourth), D to F (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 77 bars · Form: ABCD

Chords: Am7, Dm6/C, Dm/C, C/C, G♯dim7, Am, G, C, G7sus4, G9, C/G, D♯dim7, Dm7, F/B♭, F, A7, Gm/C, Dm7/G, Fdim7.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A