Do Re MiC D E

You Take My Breath Away

Queen (Freddie Mercury)4/4rock♩= 82
Fm6/C
%
Fm6/C
%
Fm/C
D♯/C
Fm/C
Fm6/C
%
A♯7sus4
D♯/G
%
Fm6/C
%
Fm/C
D♯/C
Fm/C
Fm6/C
%
A♯7sus4
D♯/G
%
Fm6/C
%
G♯/B♭
%
%
%
A♯m/C
Fm7/G
D♯/G
%
Fm6/C
%
Fm/C
D♯/C
Fm/C
Fm/C
D♯/C
Fm/C
G♯/B♭
%
%
%
A♯m/C
Fm7/G
D♯/G
%
Fm6/C
%
%

Chord Diagrams — You Take My Breath Away in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Fm6/C
3frEADGBE11xx32
EADGBE1x234
6frEADGBE11x324
9frEADGBExx2314
Fm/C
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
D♯/C
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Bdim7
EADGBExx1324
EADGBE11x234
6frEADGBE3x142x
7frEADGBE111234
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
A♯9
5frEADGBE11234x
EADGBEx1234
6frEADGBE111324
12frEADGBEx21333
D♯/G
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
F♯dim7
4frEADGBExx1324
EADGBE112x3x
EADGBE111234
8frEADGBE111234
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G♯/B♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
A♯m/C
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
Fm7/G
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
G♯dim7
6frEADGBExx1324
EADGBExx12
EADGBE112x34
10frEADGBE111234

Explore More

You Take My Breath Away in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to F (ascending unison), F to D# (descending whole step), D# to B (descending major third), B to C (ascending half step), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to F (descending half step), F to G# (ascending minor third), G# to G# (ascending unison), G# to C (ascending major third), C to A# (descending whole step), A# to F (descending perfect fourth), F to G# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 77 bars · Form: ABCD

Chords: Cm7, Fm6/C, Fm/C, D♯/C, Bdim7, Cm, A♯, D♯, A♯7sus4, A♯9, D♯/G, F♯dim7, Fm7, G♯/B♭, G♯, C7, A♯m/C, Fm7/G, G♯dim7.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C