Do Re MiC D E

Virtual Insanity

(Kay-Smith) Jamiroquai4/4funk♩= 90
D7♯5
Gm7/G♭
Cm11
Cm11/B♭
D♯maj13
D7/D
Gm7/G♭
Cm11
Cm11/B♭
Gm7/G♭
Cm11
Cm11/B♭
D♯maj13
D7/D
Gm7/G♭
Cm11
Cm11/B♭
D♯maj
D7♯5
C♭/D♭
D♯maj
D♯maj
D7♯5
C♭/D♭
D♯maj
Gm7/G♭
Cm11
Cm11/B♭
D♯maj13
D7/D
Gm7/G♭
Cm11
Cm11/B♭
Gm7/G♭
Cm11
Cm11/B♭
D♯maj13
D7/D
Gm7/G♭
Cm11
Cm11/B♭
Gm7/G♭
Cm11
Cm11/B♭
D♯maj13
D7/D
Gm7/G♭
Cm11
Cm11/B♭
Gm7/G♭
Cm11
Cm11/B♭
D♯maj13
D7/D
Gm7/G♭
Cm11
Cm11/B♭
A♯maj9
D♯maj
D♯maj
D7♯5
D♯maj
D7♯5
C♭/D♭
D♯maj
D♯maj
D7♯5
C♭/D♭
D♯maj
Gm7/G♭
Cm11
Cm11/B♭
D♯maj13
D7/D
Gm7/G♭
Cm11
Cm11/B♭
Gm7/G♭
Cm11
Cm11/B♭
D♯maj13
D7/D
Gm7/G♭
Cm11
Cm11/B♭

Chord Diagrams — Virtual Insanity in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Am7♭5
5frEADGBE111234
EADGBEx23x
4frEADGBE2x341x
7frEADGBE222xx1
A♯maj9
5frEADGBE11243x
EADGBE1113x
3frEADGBE111143
6frEADGBE112234
D♯maj
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
D♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
Em7♭5
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
D♯maj7
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
D7♯5
5frEADGBE11x432
EADGBExx412
4frEADGBEx213x4
10frEADGBE1x234x
C9
7frEADGBE112344
EADGBE221334
7frEADGBE131214
9frEADGBExx2143
F9
7frEADGBE221334
EADGBE111324
EADGBExx2143
10frEADGBE1111x2
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
F♯9sus4
F♯ - B - C♯ - E - G♯
D7/D
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Gm7/G♭
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Cm11
6frEADGBE111342
EADGBE11x234
EADGBE1111x2
8frEADGBE111114
Cm11/B♭
6frEADGBE111342
EADGBE11x234
EADGBE1111x2
8frEADGBE111114
D♯maj13
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123
B/D♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
D/D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342

Explore More

Virtual Insanity in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to A (ascending whole step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to E (ascending half step), E to D# (descending half step), D# to D (descending half step), D to C (descending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to F# (ascending tritone), F# to D (descending major third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to D# (ascending minor third), D# to Cb (descending minor third), Cb to D (ascending whole step), D to C (descending whole step), C to F (ascending perfect fourth), F to C# (descending major third), C# to A# (descending minor third), A# to G (descending minor third), G to D (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 138 bars · Form: ABCBDB

Chords: Gm7, Am7♭5, A♯maj9, D♯maj, D♯, Em7♭5, D♯maj7, D7♯5, C9, F9, A♯maj7, C7, F♯9sus4, D7/D, Gm7/G♭, Cm11, Cm11/B♭, D♯maj13, C♭/D♭, D7, Cm7, Fm7, C♯maj7, A♯m7, Gm9, D/D.

Scales for Improvisation G bebop minor, G bebop.

Diatonic chords: See all chords in the key of G