Do Re MiC D E

Virtual Insanity

(Kay-Smith) Jamiroquai4/4funk♩= 90
D♯7♯5
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
Emaj13
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
Emaj13
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
D♯7♯5
C♭/D♭
Emaj
D♯7♯5
C♭/D♭
Emaj
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
Emaj13
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
Emaj13
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
Emaj13
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
Emaj13
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
D♯/D
Bmaj9
Emaj
D♯7♯5
D♯7♯5
C♭/D♭
Emaj
D♯7♯5
C♭/D♭
Emaj
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
Emaj13
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭
Emaj13
D♯7/D
G♯m7/G♭
C♯m11
C♯m11/B♭

Chord Diagrams — Virtual Insanity in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A♯m7♭5
5frEADGBE2x341x
EADGBEx1324x
EADGBE11xx24
8frEADGBE222xx1
Bmaj9
4frEADGBE11xx34
EADGBE22143x
6frEADGBE11243x
8frEADGBExx2143
Emaj
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Fm7♭5
EADGBE222xx1
EADGBE1x23x
8frEADGBEx1324x
11frEADGBE2134x
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
D♯7♯5
EADGBExx1423
6frEADGBE11x432
9frEADGBE3241
11frEADGBE1x234x
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
G9sus4
G - C - D - F - A
D♯7/D
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯m7/G♭
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯m11
7frEADGBE111342
EADGBE111x23
9frEADGBE111114
11frEADGBE11xx23
C♯m11/B♭
7frEADGBE111342
EADGBE111x23
9frEADGBE111114
11frEADGBE11xx23
Emaj13
7frEADGBE11x234
EADGBE11234
4frEADGBE11x423
11frEADGBE111123
B/D♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
D♯7
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
D♯/D
8frEADGBE111xx4
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234

Explore More

Virtual Insanity in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to B (ascending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to F (ascending half step), F to E (descending half step), E to D# (descending half step), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to G (ascending tritone), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to E (ascending minor third), E to Cb (descending major third), Cb to D# (ascending minor third), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to D (descending major third), D to B (descending minor third), B to G# (descending minor third), G# to D# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 138 bars · Form: ABCBDB

Chords: G♯m7, A♯m7♭5, Bmaj9, Emaj, E, Fm7♭5, Emaj7, D♯7♯5, C♯9, F♯9, Bmaj7, C♯7, G9sus4, D♯7/D, G♯m7/G♭, C♯m11, C♯m11/B♭, Emaj13, C♭/D♭, D♯7, C♯m7, F♯m7, Dmaj7, Bm7, G♯m9, D♯/D.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#