Do Re MiC D E

Virtual Insanity

(Kay-Smith) Jamiroquai4/4funk♩= 90
C7♯5
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj13
C7/D
Fm7/G♭
A♯m11
A♯m11/B♭
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj13
C7/D
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj
C7♯5
C♭/D♭
C♯maj
C♯maj
C7♯5
C♭/D♭
C♯maj
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj13
C7/D
Fm7/G♭
A♯m11
A♯m11/B♭
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj13
C7/D
Fm7/G♭
A♯m11
A♯m11/B♭
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj13
C7/D
Fm7/G♭
A♯m11
A♯m11/B♭
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj13
C7/D
Fm7/G♭
A♯m11
A♯m11/B♭
G♯maj9
C♯maj
C♯maj
C7♯5
C♯maj
C7♯5
C♭/D♭
C♯maj
C♯maj
C7♯5
C♭/D♭
C♯maj
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj13
C7/D
Fm7/G♭
A♯m11
A♯m11/B♭
Fm7/G♭
A♯m11
A♯m11/B♭
C♯maj13
C7/D
Fm7/G♭
A♯m11
A♯m11/B♭

Chord Diagrams — Virtual Insanity in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
G♯maj9
3frEADGBE111243
EADGBE1111x4
4frEADGBE113224
10frEADGBE22143x
C♯maj
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
Dm7♭5
5frEADGBEx1324x
EADGBE111xx
3frEADGBE11x342
8frEADGBEx1432
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
C7♯5
3frEADGBE11x432
EADGBEx213x4
8frEADGBE1x234
10frEADGBExx1423
A♯9
5frEADGBE11234x
EADGBEx1234
6frEADGBE111324
12frEADGBEx21333
D♯9
5frEADGBEx21334
EADGBExx132
10frEADGBE3142xx
11frEADGBE111324
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
E9sus4
E - A - B - D - F♯
C7/D
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Fm7/G♭
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
A♯m11/B♭
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
C♯maj13
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
Fm9
6frEADGBEx21344
EADGBE111134
EADGBEx1234
11frEADGBE21344
C/D
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4

Explore More

Virtual Insanity in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to G (ascending whole step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to D (ascending half step), D to C# (descending half step), C# to C (descending half step), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to E (ascending tritone), E to C (descending major third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to C# (ascending minor third), C# to Cb (descending half step), Cb to C (ascending unison), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to B (descending major third), B to G# (descending minor third), G# to F (descending minor third), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 138 bars · Form: ABCBDB

Chords: Fm7, Gm7♭5, G♯maj9, C♯maj, C♯, Dm7♭5, C♯maj7, C7♯5, A♯9, D♯9, G♯maj7, A♯7, E9sus4, C7/D, Fm7/G♭, A♯m11, A♯m11/B♭, C♯maj13, C♭/D♭, C7, A♯m7, D♯m7, Bmaj7, G♯m7, Fm9, C/D.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F