Do Re MiC D E

Virtual Insanity

(Kay-Smith) Jamiroquai4/4funk♩= 90
B7♯5
B7/D
Em7/G♭
Am11
Am11/B♭
Cmaj13
B7/D
Em7/G♭
Am11
Am11/B♭
B7/D
Em7/G♭
Am11
Am11/B♭
Cmaj13
B7/D
Em7/G♭
Am11
Am11/B♭
B7♯5
C♭/D♭
Cmaj
B7♯5
C♭/D♭
Cmaj
B7/D
Em7/G♭
Am11
Am11/B♭
Cmaj13
B7/D
Em7/G♭
Am11
Am11/B♭
B7/D
Em7/G♭
Am11
Am11/B♭
Cmaj13
B7/D
Em7/G♭
Am11
Am11/B♭
B7/D
Em7/G♭
Am11
Am11/B♭
Cmaj13
B7/D
Em7/G♭
Am11
Am11/B♭
B7/D
Em7/G♭
Am11
Am11/B♭
Cmaj13
B7/D
Em7/G♭
Am11
Am11/B♭
Gmaj9
Cmaj
B7♯5
B7♯5
C♭/D♭
Cmaj
B7♯5
C♭/D♭
Cmaj
B7/D
Em7/G♭
Am11
Am11/B♭
Cmaj13
B7/D
Em7/G♭
Am11
Am11/B♭
B7/D
Em7/G♭
Am11
Am11/B♭
Cmaj13
B7/D
Em7/G♭
Am11
Am11/B♭

Chord Diagrams — Virtual Insanity in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
F♯m7♭5
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
10frEADGBE11xx24
Gmaj9
EADGBE21
EADGBE111243
3frEADGBExx2314
9frEADGBEx2143x
Cmaj
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
B7♯5
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
D9
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D♯9sus4
D♯ - G♯ - A♯ - C♯ - F
B7/D
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
Em7/G♭
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Am11
3frEADGBE111342
EADGBEx1
5frEADGBE111114
10frEADGBE11x234
Am11/B♭
3frEADGBE111342
EADGBEx1
5frEADGBE111114
10frEADGBE11x234
Cmaj13
3frEADGBE11x234
EADGBEx4231
7frEADGBE111123
8frEADGBE111234
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
B/D
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243

Explore More

Virtual Insanity in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to G (ascending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to C# (ascending half step), C# to C (descending half step), C to B (descending half step), B to A (descending whole step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to A (ascending whole step), A to D# (ascending tritone), D# to B (descending major third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to C (ascending minor third), C to Cb (ascending unison), Cb to B (descending half step), B to A (descending whole step), A to D (ascending perfect fourth), D to A# (descending major third), A# to G (descending minor third), G to E (descending minor third), E to B (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 138 bars · Form: ABCBDB

Chords: Em7, F♯m7♭5, Gmaj9, Cmaj, C, C♯m7♭5, Cmaj7, B7♯5, A9, D9, Gmaj7, A7, D♯9sus4, B7/D, Em7/G♭, Am11, Am11/B♭, Cmaj13, C♭/D♭, B7, Am7, Dm7, A♯maj7, Gm7, Em9, B/D.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E