Do Re MiC D E

Love To Love You Less

Costa Nikka4/4ballad♩= 68
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Bmaj13
A♯7♭13
D♯7sus4
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%
Bmaj13
A♯7♭13
D♯7sus4
C7/G
G♯/G♭
%
%
%
Bmaj13
A♯7♭13
D♯7sus4
Bmaj13
A♯7♭13
D♯7sus4
Bmaj13
A♯7♭13
D♯7sus4

Chord Diagrams — Love To Love You Less in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
Bmaj13
EADGBE11x234
6frEADGBE111123
7frEADGBE111234
11frEADGBE11x423
A♯7♭13
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
C7/G
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
G♯/G♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432

Explore More

Love To Love You Less in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to B (descending whole step), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 63 bars · Form: ABAC

Chords: G♯7, D♯7, C♯9, Bmaj13, A♯7♭13, D♯7sus4, G♯, C7/G, Fm7, A♯7, G♯/G♭.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#