Do Re MiC D E

Love To Love You Less

Costa Nikka4/4ballad♩= 68
%
%
Amaj13
G♯7♭13
C♯7sus4
%
%
%
Amaj13
G♯7♭13
C♯7sus4
%
%
Amaj13
G♯7♭13
C♯7sus4
A♯7/G
%
%
A♯7/G
F♯/G♭
%
%
%
Amaj13
G♯7♭13
C♯7sus4
Amaj13
G♯7♭13
C♯7sus4
Amaj13
G♯7♭13
C♯7sus4

Chord Diagrams — Love To Love You Less in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
B9
4frEADGBE111432
EADGBEx21334
7frEADGBE111324
8frEADGBExx2143
Amaj13
4frEADGBE111123
EADGBEx2134
6frEADGBE11x34
9frEADGBE11x423
G♯7♭13
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯7sus4
4frEADGBE111134
EADGBE11x234
6frEADGBExxx123
9frEADGBE111134
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
A♯7/G
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
F♯/G♭
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234

Explore More

Love To Love You Less in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to B (descending whole step), B to A (descending whole step), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 63 bars · Form: ABAC

Chords: F♯7, C♯7, B9, Amaj13, G♯7♭13, C♯7sus4, F♯, A♯7/G, D♯m7, G♯7, F♯/G♭.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#