Do Re MiC D E

Love To Love You Less

Costa Nikka4/4ballad♩= 68
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%
Dmaj13
C♯7♭13
F♯7sus4
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%
Dmaj13
C♯7♭13
F♯7sus4
%
%
Dmaj13
C♯7♭13
F♯7sus4
D♯7/G
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%
Dmaj13
C♯7♭13
F♯7sus4
D♯7/G
%
%
D♯7/G
B/G♭
%
%
%
Dmaj13
C♯7♭13
F♯7sus4
Dmaj13
C♯7♭13
F♯7sus4
Dmaj13
C♯7♭13
F♯7sus4

Chord Diagrams — Love To Love You Less in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
E9
6frEADGBE221334
EADGBE213
EADGBE113x42
9frEADGBE11112
Dmaj13
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
C♯7♭13
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
F♯7sus4
7frEADGBE11x234
EADGBE111134
4frEADGBExx1324
9frEADGBE111134
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
D♯7/G
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
B/G♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243

Explore More

Love To Love You Less in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to E (descending whole step), E to D (descending whole step), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 63 bars · Form: ABAC

Chords: B7, F♯7, E9, Dmaj13, C♯7♭13, F♯7sus4, B, D♯7/G, G♯m7, C♯7, B/G♭.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B