Do Re MiC D E

Love To Love You Less

Costa Nikka4/4ballad♩= 68
%
%
Cmaj13
B7♭13
E7sus4
%
%
%
Cmaj13
B7♭13
E7sus4
%
%
Cmaj13
B7♭13
E7sus4
C♯7/G
%
%
Cmaj13
B7♭13
E7sus4
C♯7/G
%
%
C♯7/G
A/G♭
%
%
%
Cmaj13
B7♭13
E7sus4
Cmaj13
B7♭13
E7sus4
Cmaj13
B7♭13
E7sus4

Chord Diagrams — Love To Love You Less in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
D9
7frEADGBEx1234
4frEADGBE221334
9frEADGBE11234x
10frEADGBE111324
Cmaj13
7frEADGBE111123
EADGBEx4231
3frEADGBE11x234
8frEADGBE111234
B7♭13
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
E7sus4
7frEADGBE111134
EADGBE23
5frEADGBE11x234
9frEADGBE11xx23
A
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
C♯7/G
9frEADGBE111132
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
A/G♭
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342

Explore More

Love To Love You Less in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to D (descending whole step), D to C (descending whole step), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to A (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 63 bars · Form: ABAC

Chords: A7, E7, D9, Cmaj13, B7♭13, E7sus4, A, C♯7/G, F♯m7, B7, A/G♭.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A