Do Re MiC D E

Living For The City Page 2

Wonder Stevie4/4funk♩= 99
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
B13
C♯13
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
G♯m/G♭
B13
C♯13
F♯/E
C/B♭
%
F♯/E
C/B♭
%
F♯/E
C/B♭
G/F♯
G/F
G/E
G/E♭
G/D
G/D
%

Chord Diagrams — Living For The City Page 2 in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G♯m/G♭
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
F♯/E
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
Dsus4
5frEADGBE111234
EADGBExx123
3frEADGBEx314
10frEADGBE111234
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C/B♭
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G/F♯
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G/F
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G/E
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G/E♭
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G/D
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432

Explore More

Living For The City Page 2 in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to D (descending half step), D to D (ascending unison), D to C (descending whole step), C to C (ascending unison), C to A (descending minor third), A to G (descending whole step), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

funk4/4 · 57 bars · Form: ABD

Chords: F♯, G♯m/G♭, F♯m7, B13, C♯13, F♯/E, D♯m7♭5, Dsus4, D, C, C/B♭, A, G, G/F♯, G/F, G/E, G/E♭, G/D.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#