Do Re MiC D E

Living For The City Page 2

Wonder Stevie4/4funk♩= 99
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
F♯13
G♯13
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
D♯m/G♭
F♯13
G♯13
C♯/E
G/B♭
%
C♯/E
G/B♭
%
C♯/E
G/B♭
D/F♯
D/F
D/E
D/E♭
D/D
D/D
%

Chord Diagrams — Living For The City Page 2 in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯m/G♭
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
G♯13
EADGBE111432
4frEADGBE111324
4frEADGBE111234
10frEADGBE44x213
C♯/E
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
A♯m7♭5
EADGBE11xx24
EADGBEx1324x
5frEADGBE2x341x
8frEADGBE222xx1
Asus4
EADGBExx1
EADGBEx123
5frEADGBE111333
7frEADGBE11x234
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
G/B♭
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
E
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D/F♯
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D/F
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D/E
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D/E♭
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D/D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342

Explore More

Living For The City Page 2 in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to D# (ascending whole step), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to A (descending half step), A to A (ascending unison), A to G (descending whole step), G to G (ascending unison), G to E (descending minor third), E to D (descending whole step), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to C# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

funk4/4 · 57 bars · Form: ABD

Chords: C♯, D♯m/G♭, C♯m7, F♯13, G♯13, C♯/E, A♯m7♭5, Asus4, A, G, G/B♭, E, D, D/F♯, D/F, D/E, D/E♭, D/D.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#