Do Re MiC D E

Living For The City Page 2

Wonder Stevie4/4funk♩= 99
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
D♯13
F13
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
Cm/G♭
E/B♭
%
A♯/E
E/B♭
B/F♯
B/F
B/E
B/E♭
B/D
B/D
%

Chord Diagrams — Living For The City Page 2 in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Cm/G♭
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
F13
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
A♯/E
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
Gm7♭5
10frEADGBEx1324x
EADGBE3xx421
EADGBE2x341x
5frEADGBE222xx1
F♯sus4
9frEADGBE111234
EADGBE111234
4frEADGBE11x234
11frEADGBE11xx24
F♯
9frEADGBE111234
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
E/B♭
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/F♯
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/F
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/E
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/E♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/D
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243

Explore More

Living For The City Page 2 in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to G (descending minor third), G to F# (descending half step), F# to F# (ascending unison), F# to E (descending whole step), E to E (ascending unison), E to C# (descending minor third), C# to B (descending whole step), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

funk4/4 · 57 bars · Form: ABD

Chords: A♯, Cm/G♭, A♯m7, D♯13, F13, A♯/E, Gm7♭5, F♯sus4, F♯, E, E/B♭, C♯, B, B/F♯, B/F, B/E, B/E♭, B/D.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#