Do Re MiC D E

Living For The City Page 2

Wonder Stevie4/4funk♩= 99
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
A13
B13
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
F♯m/G♭
A13
B13
E/E
A♯/B♭
%
E/E
A♯/B♭
%
E/E
A♯/B♭
F/F♯
F/F
F/E
F/E♭
F/D
F/D
%

Chord Diagrams — Living For The City Page 2 in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯m/G♭
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
E/E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
Csus4
3frEADGBE111234
EADGBE11x34
6frEADGBE23x14
8frEADGBE111234
C
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯/B♭
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F/F♯
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F/F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F/E
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F/E♭
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F/D
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234

Explore More

Living For The City Page 2 in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to E (descending whole step), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to C# (descending minor third), C# to C (descending half step), C to C (ascending unison), C to A# (descending whole step), A# to A# (ascending unison), A# to G (descending minor third), G to F (descending whole step), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to E by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

funk4/4 · 57 bars · Form: ABD

Chords: E, F♯m/G♭, Em7, A13, B13, E/E, C♯m7♭5, Csus4, C, A♯, A♯/B♭, G, F, F/F♯, F/F, F/E, F/E♭, F/D.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E