Do Re MiC D E

Falling

Jamiroquai (Kay, Smith)4/4pop♩= 89
G♯m/C
G♯m/C♯
C♯m/D♯
D♯7/G♯
G♯m/B
G♯m/C
G♯m/C♯
C♯m/D♯
D♯7/G♯
G♯m/B
G♯m/C
G♯m/C♯
C♯m/D♯
D♯7/G♯
G♯m/B
G♯m/C
G♯m/C♯
C♯m/D♯
D♯7/G♯
G♯m/B
G♯m/C
G♯m/C
G♯m/C
G♯m/C
G♯m/C

Chord Diagrams — Falling in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m/C
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯m/C♯
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m/D♯
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
D♯7/G♯
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯m
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
G♯m/B
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
Emaj
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
Amaj
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B/G
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243

Explore More

Falling in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to D# (ascending whole step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to E (descending major third), E to A (ascending perfect fourth), A to G# (descending half step), G# to B (ascending minor third), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 72 bars · Form: ABCD

Chords: G♯m/C, G♯m/C♯, C♯m, C♯m/D♯, D♯7, D♯7/G♯, G♯m, G♯m/B, Emaj, Amaj, G♯maj7, B, B/G.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#