Do Re MiC D E

Falling

Jamiroquai (Kay, Smith)4/4pop♩= 89
Bm/C
Bm/C♯
Em/D♯
F♯7/G♯
Bm/B
Bm/C
Bm/C♯
Em/D♯
F♯7/G♯
Bm/B
Bm/C
Bm/C♯
Em/D♯
F♯7/G♯
Bm/B
Bm/C
Bm/C♯
Em/D♯
F♯7/G♯
Bm/B
Bm/C
Bm/C
Bm/C
Bm/C
Bm/C
Bm/C
Bm/C
Bm/C
Gmaj
Cmaj
Gmaj
Gmaj
Cmaj
Gmaj
Bm/C
Bm/C
Bm/C
Bm/C
Bm/C
Bm/C
Bm/C
Bm/C
Gmaj
Cmaj
Gmaj
Gmaj
Cmaj
Gmaj
Gmaj
Cmaj
Gmaj
Gmaj
Cmaj
Gmaj
Bm/C
Bm/C
Bm/C
Bm/C

Chord Diagrams — Falling in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm/C
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/C♯
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Em/D♯
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
F♯7/G♯
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/B
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Gmaj
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Cmaj
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
D
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
D/G
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342

Explore More

Falling in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to F# (ascending whole step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to G (descending major third), G to C (ascending perfect fourth), C to B (descending half step), B to D (ascending minor third), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 72 bars · Form: ABCD

Chords: Bm/C, Bm/C♯, Em, Em/D♯, F♯7, F♯7/G♯, Bm, Bm/B, Gmaj, Cmaj, Bmaj7, D, D/G.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B