Do Re MiC D E

Falling

Jamiroquai (Kay, Smith)4/4pop♩= 89
Am/C
Am/C♯
Dm/D♯
E7/G♯
Am/B
Am/C
Am/C♯
Dm/D♯
E7/G♯
Am/B
Am/C
Am/C♯
Dm/D♯
E7/G♯
Am/B
Am/C
Am/C♯
Dm/D♯
E7/G♯
Am/B
Am/C
Am/C
Am/C
Am/C
Am/C
Am/C
Am/C
Am/C
Fmaj
A♯maj
Fmaj
Fmaj
A♯maj
Fmaj
Am/C
Am/C
Am/C
Am/C
Am/C
Am/C
Am/C
Am/C
Fmaj
A♯maj
Fmaj
Fmaj
A♯maj
Fmaj
Fmaj
A♯maj
Fmaj
Fmaj
A♯maj
Fmaj
Am/C
Am/C
Am/C
Am/C

Chord Diagrams — Falling in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am/C
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am/C♯
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Dm/D♯
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7/G♯
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am/B
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Fmaj
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
A♯maj
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C/G
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342

Explore More

Falling in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to E (ascending whole step), E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to F (descending major third), F to A# (ascending perfect fourth), A# to A (descending half step), A to C (ascending minor third), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 72 bars · Form: ABCD

Chords: Am/C, Am/C♯, Dm, Dm/D♯, E7, E7/G♯, Am, Am/B, Fmaj, A♯maj, Amaj7, C, C/G.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A