Do Re MiC D E

Falling

Jamiroquai (Kay, Smith)4/4pop♩= 89
F♯m/C
F♯m/C♯
Bm/D♯
C♯7/G♯
F♯m/B
F♯m/C
F♯m/C♯
Bm/D♯
C♯7/G♯
F♯m/B
F♯m/C
F♯m/C♯
Bm/D♯
C♯7/G♯
F♯m/B
F♯m/C
F♯m/C♯
Bm/D♯
C♯7/G♯
F♯m/B
F♯m/C
F♯m/C
F♯m/C
F♯m/C
F♯m/C
F♯m/C
F♯m/C
F♯m/C
F♯m/C
F♯m/C
F♯m/C
Dmaj
Gmaj
Dmaj
Dmaj
Gmaj

Chord Diagrams — Falling in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m/C
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
F♯m/C♯
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/D♯
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
C♯7/G♯
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
F♯m/B
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
Dmaj
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Gmaj
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
A/G
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243

Explore More

Falling in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to C# (ascending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D (descending major third), D to G (ascending perfect fourth), G to F# (descending half step), F# to A (ascending minor third), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to F# by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 72 bars · Form: ABCD

Chords: F♯m/C, F♯m/C♯, Bm, Bm/D♯, C♯7, C♯7/G♯, F♯m, F♯m/B, Dmaj, Gmaj, F♯maj7, A, A/G.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#