Do Re MiC D E

Don't Stop Me Now

Queen (Freddie Mercury)4/4rock♩= 155
F7/A
F7/E♭
D7/F♯
D7/F♯
Gm/A
Gm/B♭
Gm/B
D/F♯
G♯/B♭
%
F7/E♭
D7/F♯
D7/F♯
Gm/A
Gm/B♭
Gm/B
%
F7/E♭
D7/F♯
D7/F♯
Gm/A
Gm/B♭
Gm/B
D/F♯
G♯/B♭
%
F7/E♭
D7/F♯
D7/F♯
Gm/A
Gm/B♭
Gm/B

Chord Diagrams — Don't Stop Me Now in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Am
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Gm
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
F7/A
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
D7
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
F7/E♭
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
D7/F♯
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
Gm/A
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Gm/B♭
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Gm/B
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
D/F♯
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
G♯/B♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2

Explore More

Don't Stop Me Now in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to A (ascending major third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G (descending minor third), G to D (descending perfect fourth), D to F (ascending minor third), F to D (descending minor third), D to G (ascending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to D (descending perfect fourth), D to G# (ascending tritone), G# to F (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 155 bars · Form: AB

Chords: F, Am, Dm, Gm, C, F7/A, A♯, Gm7, D7, F7/E♭, D7/F♯, Gm/A, Gm/B♭, Gm/B, D/F♯, G♯/B♭, F7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F