Do Re MiC D E

Don't Stop Me Now

Queen (Freddie Mercury)4/4rock♩= 155

Chord Diagrams — Don't Stop Me Now in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
B7/A
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
B7/E♭
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
G♯7/F♯
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯m/A
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m/B♭
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m/B
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
G♯/F♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D/B♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2

Explore More

Don't Stop Me Now in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to D# (ascending major third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to D (ascending tritone), D to B (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 155 bars · Form: AB

Chords: B, D♯m, G♯m, C♯m, F♯, B7/A, E, C♯m7, G♯7, B7/E♭, G♯7/F♯, C♯m/A, C♯m/B♭, C♯m/B, G♯/F♯, D/B♭, B7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B