Do Re MiC D E

Don't Stop Me Now

Queen (Freddie Mercury)4/4rock♩= 155

Chord Diagrams — Don't Stop Me Now in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Gm
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
A♯7/A
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
D♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
A♯7/E♭
11frEADGBEx3241x
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
G7/F♯
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
Cm/A
8frEADGBE111134
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
Cm/B♭
8frEADGBE111134
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
Cm/B
8frEADGBE111134
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
G/F♯
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
C♯/B♭
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x

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Don't Stop Me Now in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D (ascending major third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to G (descending perfect fourth), G to A# (ascending minor third), A# to G (descending minor third), G to C (ascending perfect fourth), C to C (ascending unison), C to C (ascending unison), C to G (descending perfect fourth), G to C# (ascending tritone), C# to A# (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 155 bars · Form: AB

Chords: A♯, Dm, Gm, Cm, F, A♯7/A, D♯, Cm7, G7, A♯7/E♭, G7/F♯, Cm/A, Cm/B♭, Cm/B, G/F♯, C♯/B♭, A♯7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#