Do Re MiC D E

Don't Stop Me Now

Queen (Freddie Mercury)4/4rock♩= 155

Chord Diagrams — Don't Stop Me Now in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
A7/A
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
A7/E♭
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
F♯7/F♯
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
Bm/A
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/B♭
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/B
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
F♯/F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
C/B♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324

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Don't Stop Me Now in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to B (descending minor third), B to F# (descending perfect fourth), F# to A (ascending minor third), A to F# (descending minor third), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to F# (descending perfect fourth), F# to C (ascending tritone), C to A (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 155 bars · Form: AB

Chords: A, C♯m, F♯m, Bm, E, A7/A, D, Bm7, F♯7, A7/E♭, F♯7/F♯, Bm/A, Bm/B♭, Bm/B, F♯/F♯, C/B♭, A7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A