Do Re MiC D E

Don't Speak

No Doubt (Stefani, Stefani)4/4pop♩= 81

Chord Diagrams — Don't Speak in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
E
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Am/E♭
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Am/C
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Am/A♭
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
C2/C
EADGBEx314
EADGBEx123
3frEADGBE111134
7frEADGBE2x134
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
A♯2/B♭
EADGBE111134
3frEADGBE11324x
8frEADGBE111134
10frEADGBE11x324
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯/C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C7♭9sus4/E♭
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
C7♭9sus4/D♭
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342

Explore More

Don't Speak in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to A (descending whole step), A to D (ascending perfect fourth), D to E (ascending whole step), E to A (ascending perfect fourth), A to G (descending whole step), G to E (descending minor third), E to D (descending whole step), D to A (descending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to F (descending major third), F to C (descending perfect fourth), C to D# (ascending minor third), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to C# (ascending unison), C# to C (descending half step), C to C (ascending unison), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from C to E by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 60 bars · Form: ABCABDB

Chords: Em7, Bm, Am, D, Em, Am7, G, E, Dm, Am/E♭, Am/C, Am/A♭, F, C2/C, D♯, A♯2/B♭, C♯, C♯/C♯, C7♭9sus4/E♭, C7♭9sus4/D♭, C.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E