Do Re MiC D E

Don't Speak

No Doubt (Stefani, Stefani)4/4pop♩= 81

Chord Diagrams — Don't Speak in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
Fm/E♭
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Fm/C
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Fm/A♭
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
G♯2/C
EADGBE2xx134
4frEADGBE1123x4
6frEADGBE111134
11frEADGBE111134
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
F♯2/B♭
EADGBE2xx134
4frEADGBE111134
9frEADGBE111134
11frEADGBE11324x
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
A/C♯
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
G♯7♭9sus4/E♭
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
10frEADGBE11x234
G♯7♭9sus4/D♭
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
10frEADGBE11x234
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432

Explore More

Don't Speak in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to F (descending whole step), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to F (ascending perfect fourth), F to D# (descending whole step), D# to C (descending minor third), C to A# (descending whole step), A# to F (descending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to C# (descending major third), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to F# (descending perfect fourth), F# to A (ascending minor third), A to A (ascending unison), A to G# (descending half step), G# to G# (ascending unison), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 60 bars · Form: ABCABDB

Chords: Cm7, Gm, Fm, A♯, Cm, Fm7, D♯, C, A♯m, Fm/E♭, Fm/C, Fm/A♭, C♯, G♯2/C, B, F♯2/B♭, A, A/C♯, G♯7♭9sus4/E♭, G♯7♭9sus4/D♭, G♯.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C