Do Re MiC D E

Don't Speak

No Doubt (Stefani, Stefani)4/4pop♩= 81

Chord Diagrams — Don't Speak in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Gm
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
Gm/E♭
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
Gm/C
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
Gm/A♭
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
D♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A♯2/C
8frEADGBE111134
EADGBE111134
3frEADGBE11324x
10frEADGBE11x324
C♯
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
G♯2/B♭
11frEADGBE111134
EADGBE2xx134
4frEADGBE1123x4
6frEADGBE111134
B
9frEADGBE11x243
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
B/C♯
9frEADGBE11x243
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
A♯7♭9sus4/E♭
12frEADGBE11x234
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
A♯7♭9sus4/D♭
12frEADGBE11x234
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
A♯
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342

Explore More

Don't Speak in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to G (descending whole step), G to C (ascending perfect fourth), C to D (ascending whole step), D to G (ascending perfect fourth), G to F (descending whole step), F to D (descending minor third), D to C (descending whole step), C to G (descending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to D# (descending major third), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to B (ascending unison), B to A# (descending half step), A# to A# (ascending unison), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A# to D by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 60 bars · Form: ABCABDB

Chords: Dm7, Am, Gm, C, Dm, Gm7, F, D, Cm, Gm/E♭, Gm/C, Gm/A♭, D♯, A♯2/C, C♯, G♯2/B♭, B, B/C♯, A♯7♭9sus4/E♭, A♯7♭9sus4/D♭, A♯.

Scales for Improvisation D bebop minor, D bebop.

Diatonic chords: See all chords in the key of D