Do Re MiC D E

Don't Speak

No Doubt (Stefani, Stefani)4/4pop♩= 81

Chord Diagrams — Don't Speak in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Gm
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
10frEADGBE111342
Dm/E♭
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Dm/C
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Dm/A♭
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
F2/C
EADGBE1123x4
3frEADGBE111134
8frEADGBE111134
10frEADGBE11324x
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
D♯2/B♭
EADGBE111134
6frEADGBE111134
8frEADGBE11324x
11frEADGBE1123x4
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
F♯/C♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
F7♭9sus4/E♭
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
F7♭9sus4/D♭
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234

Explore More

Don't Speak in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to D (descending whole step), D to G (ascending perfect fourth), G to A (ascending whole step), A to D (ascending perfect fourth), D to C (descending whole step), C to A (descending minor third), A to G (descending whole step), G to D (descending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to A# (descending major third), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to F# (ascending unison), F# to F (descending half step), F to F (ascending unison), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 60 bars · Form: ABCABDB

Chords: Am7, Em, Dm, G, Am, Dm7, C, A, Gm, Dm/E♭, Dm/C, Dm/A♭, A♯, F2/C, G♯, D♯2/B♭, F♯, F♯/C♯, F7♭9sus4/E♭, F7♭9sus4/D♭, F.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A