Do Re MiC D E

Ain't No Mountain High Enough

Marvin Gaye-Tammi Terrell (Ashford-Simpson)4/4soul♩= 130
G♯m/A
G♯m/G♯
G♯m/G
G♯m/F♯
G♯m/A
G♯m/G♯
G♯m/G
G♯m/F♯
G♯m/A
G♯m/G♯
G♯m/G
G♯m/F♯
G♯m/A
G♯m/G♯
G♯m/A
G♯m/G♯
G♯m/G
G♯m/F♯
F♯7sus4
F♯7sus4
F♯7sus4
C♯/F♯
%
%
Am/B♭
Am/A
Am/A♭
Am/G

Chord Diagrams — Ain't No Mountain High Enough in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m/A
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯m/G♯
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯m/G
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯m/F♯
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
E6
EADGBE11134
EADGBE2314
5frEADGBEx4231x
7frEADGBE3333x1
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
C♯/F♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯sus4
4frEADGBE111234
EADGBE11xx24
6frEADGBE11x234
11frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Am/B♭
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am/A
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am/A♭
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am/G
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
F
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
Fmaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
F6
8frEADGBE113333
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
Em7
8frEADGBExx2314
EADGBE2
EADGBE11423
7frEADGBE111132
Am
7frEADGBEx1342
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
D
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234

Explore More

Ain't No Mountain High Enough in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to E (ascending half step), E to E (ascending unison), E to E (ascending unison), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to A (ascending whole step), A to A (ascending unison), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to E (ascending whole step), E to F (ascending half step), F to F (ascending unison), F to F (ascending unison), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G# by tritone.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 70 bars · Form: ABABB

Chords: G♯m/A, G♯m/G♯, G♯m/G, G♯m/F♯, C♯m, D♯m, E, Emaj7, E6, D♯m7, G♯m, C♯, F♯7sus4, F♯7, C♯/F♯, G♯sus4, C♯m7, F♯, G, Am/B♭, Am/A, Am/A♭, Am/G, Dm, Em, F, Fmaj7, F6, Em7, Am, D.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#