Do Re MiC D E

Ain't No Mountain High Enough

Marvin Gaye-Tammi Terrell (Ashford-Simpson)4/4soul♩= 130
Em/A
Em/G♯
Em/G
Em/F♯
Em/A
Em/G♯
Em/G
Em/F♯
Em/A
Em/G♯
Em/G
Em/F♯
Em/A
Em/G♯
Em/G
Em/F♯
Em/A
Em/G♯
Em/G
Em/F♯
Em/A
Em/G♯
Em/G
Em/F♯
D7sus4
D7sus4
D7sus4
A/F♯
%
%
Fm/B♭
Fm/A
Fm/A♭
Fm/G

Chord Diagrams — Ain't No Mountain High Enough in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em/A
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Em/G♯
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Em/G
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Em/F♯
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Am
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
C6
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
D7sus4
EADGBExx214
3frEADGBEx2341x
5frEADGBE111134
10frEADGBE111134
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
A/F♯
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Esus4
EADGBE234
2frEADGBE11234
7frEADGBE111234
9frEADGBE11xx2
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
Fm/B♭
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Fm/A
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Fm/A♭
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Fm/G
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
C♯6
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243

Explore More

Ain't No Mountain High Enough in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth), A to B (ascending whole step), B to C (ascending half step), C to C (ascending unison), C to C (ascending unison), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to A (descending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D# (ascending half step), D# to F (ascending whole step), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to C# (ascending half step), C# to C# (ascending unison), C# to C# (ascending unison), C# to C (descending half step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to E by tritone.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 70 bars · Form: ABABB

Chords: Em/A, Em/G♯, Em/G, Em/F♯, Am, Bm, C, Cmaj7, C6, Bm7, Em, A, D7sus4, D7, A/F♯, Esus4, Am7, D, D♯, Fm/B♭, Fm/A, Fm/A♭, Fm/G, A♯m, Cm, C♯, C♯maj7, C♯6, Cm7, Fm, A♯.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E