Do Re MiC D E

Ain't No Mountain High Enough

Marvin Gaye-Tammi Terrell (Ashford-Simpson)4/4soul♩= 130
Bm/A
Bm/G♯
Bm/G
Bm/F♯
Bm/A
Bm/G♯
Bm/G
Bm/F♯
Bm/A
Bm/G♯
Bm/G
Bm/F♯
Bm/A
Bm/G♯
A7sus4
E/F♯
%
%
Cm/B♭
Cm/A
Cm/A♭
Cm/G

Chord Diagrams — Ain't No Mountain High Enough in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm/A
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/G♯
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/G
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/F♯
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
G6
EADGBE21
EADGBE2x143x
5frEADGBE111x34
10frEADGBE3333x1
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
E/F♯
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
Bsus4
2frEADGBE111234
4frEADGBE11xx24
7frEADGBE111234
9frEADGBE1144x3
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
Cm/B♭
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Cm/A
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Cm/A♭
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Cm/G
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Gm
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
10frEADGBE111342
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G♯6
3frEADGBE2x143x
EADGBE1111x3
6frEADGBE111x34
9frEADGBEx4231x
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234

Explore More

Ain't No Mountain High Enough in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to G (ascending half step), G to G (ascending unison), G to G (ascending unison), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to C (ascending whole step), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to F (ascending perfect fourth), F to G (ascending whole step), G to G# (ascending half step), G# to G# (ascending unison), G# to G# (ascending unison), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to B by tritone.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 70 bars · Form: ABABB

Chords: Bm/A, Bm/G♯, Bm/G, Bm/F♯, Em, F♯m, G, Gmaj7, G6, F♯m7, Bm, E, A7sus4, A7, E/F♯, Bsus4, Em7, A, A♯, Cm/B♭, Cm/A, Cm/A♭, Cm/G, Fm, Gm, G♯, G♯maj7, G♯6, Gm7, Cm, F.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B