Do Re MiC D E

Ain't No Mountain High Enough

Marvin Gaye-Tammi Terrell (Ashford-Simpson)4/4soul♩= 130
F♯m/A
F♯m/G♯
F♯m/G
F♯m/F♯
F♯m/A
F♯m/G♯
F♯m/G
F♯m/F♯
F♯m/A
F♯m/G♯
F♯m/G
F♯m/F♯
F♯m/A
F♯m/G♯
F♯m/G
F♯m/F♯
F♯m/A
F♯m/G♯
F♯m/G
F♯m/F♯
F♯m/A
F♯m/G♯
F♯m/G
F♯m/F♯
E7sus4
E7sus4
E7sus4
B/F♯
%
%
Gm/B♭
Gm/A
Gm/A♭
Gm/G

Chord Diagrams — Ain't No Mountain High Enough in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m/A
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
F♯m/G♯
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
F♯m/G
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
F♯m/F♯
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
C♯m
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
D6
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
7frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
B/F♯
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯sus4
4frEADGBE11x234
EADGBE111234
9frEADGBE111234
11frEADGBE11xx24
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Gm/B♭
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Gm/A
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Gm/A♭
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Gm/G
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
D♯maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
D♯6
EADGBE11xx34
4frEADGBEx4231x
6frEADGBE3333x1
10frEADGBE2x143x
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Gm
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
10frEADGBE111342
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342

Explore More

Ain't No Mountain High Enough in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to F# (ascending unison), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to D (ascending half step), D to D (ascending unison), D to D (ascending unison), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to G (ascending whole step), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to C (ascending perfect fourth), C to D (ascending whole step), D to D# (ascending half step), D# to D# (ascending unison), D# to D# (ascending unison), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to F# by tritone.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 70 bars · Form: ABABB

Chords: F♯m/A, F♯m/G♯, F♯m/G, F♯m/F♯, Bm, C♯m, D, Dmaj7, D6, C♯m7, F♯m, B, E7sus4, E7, B/F♯, F♯sus4, Bm7, E, F, Gm/B♭, Gm/A, Gm/A♭, Gm/G, Cm, Dm, D♯, D♯maj7, D♯6, Dm7, Gm, C.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#