El Cantar Del Coquí in F#

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
F
-
C
o
d
a
Bm69
Bm69
Bm69
F♯13
Bm69
Bm69
Bm69
F♯13
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
D13
D13
C13
C13
G13
G13
G13
G13
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Bm69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Bm69
Bm69
Bm69
F♯13
Bm69
Bm69
Bm69
A♯9♯11
A9♯11
G♯9♯11
G13
G13
Bm69
Bm69
Bm69
Bm69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69
Am69

Chord Diagrams — El Cantar Del Coquí in F# (Guitar)

Bm69
EADGBEx2134
5frEADGBE2233x17frEADGBE1122229frEADGBE1112x3
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
Am69
4frEADGBEx24
5frEADGBE1122227frEADGBE1112310frEADGBE333x12
A♯9♯11
EADGBEx123
5frEADGBE11123x8frEADGBExx123412frEADGBE11x234
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
G♯9♯11
3frEADGBE2x341x
6frEADGBExx123410frEADGBE11x23411frEADGBE111x23
Dm6
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1

El Cantar Del Coquí in F#

El Cantar Del Coquí in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to D (ascending minor third), D to C (descending whole step), C to G (descending perfect fourth), G to B (ascending major third), B to A (descending whole step), A to A# (ascending half step), A# to A (descending half step), A to G# (descending half step), G# to D (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to B by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: Bm69, F♯13, Bm7, D13, C13, G13, Bm9, Am69, A♯9♯11, A9♯11, G♯9♯11, Dm6.

Scales for Improvisation F# bebop minor, F# bebop.