El Cantar Del Coquí in B

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
F
-
C
o
d
a
Em69
Em69
Em69
B13
Em69
Em69
Em69
B13
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
G13
G13
F13
F13
C13
C13
C13
C13
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Em69
Em69
Em69
B13
Em69
Em69
Em69
D♯9♯11
D9♯11
C♯9♯11
C13
C13
Em69
Em69
Em69
Em69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69

Chord Diagrams — El Cantar Del Coquí in B (Guitar)

Em69
EADGBE1111
EADGBE1112x35frEADGBE333x1210frEADGBE1234
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Dm69
2frEADGBEx421
3frEADGBEx31246frEADGBEx231410frEADGBE2222x1
D♯9♯11
EADGBExx1234
5frEADGBE11x2346frEADGBE11x23x10frEADGBE111234
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
Gm6
EADGBE2222x1
3frEADGBE1112345frEADGBE111x328frEADGBE11x324

El Cantar Del Coquí in B

El Cantar Del Coquí in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to E (ascending perfect fourth), E to G (ascending minor third), G to F (descending whole step), F to C (descending perfect fourth), C to E (ascending major third), E to D (descending whole step), D to D# (ascending half step), D# to D (descending half step), D to C# (descending half step), C# to G (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to E by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: Em69, B13, Em7, G13, F13, C13, Em9, Dm69, D♯9♯11, D9♯11, C♯9♯11, Gm6.

Scales for Improvisation B bebop minor, B bebop.