El Cantar Del Coquí in C#

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
I
n
t
r
o
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A
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B
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C
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D
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E
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F
-
C
o
d
a
F♯m69
F♯m69
F♯m69
C♯13
F♯m69
F♯m69
F♯m69
C♯13
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
A13
A13
G13
G13
D13
D13
D13
D13
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
F♯m69
F♯m69
F♯m69
C♯13
F♯m69
F♯m69
F♯m69
F9♯11
E9♯11
D♯9♯11
D13
D13
F♯m69
F♯m69
F♯m69
F♯m69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69
Em69

Chord Diagrams — El Cantar Del Coquí in C# (Guitar)

F♯m69
EADGBE11234
EADGBE2222114frEADGBE1111237frEADGBEx3124x
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
Em69
EADGBE1111
EADGBE1112x35frEADGBE333x1210frEADGBE1234
F9♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
E9♯11
EADGBE12
3frEADGBE31426frEADGBE11x23411frEADGBE111234
D♯9♯11
EADGBExx1234
5frEADGBE11x2346frEADGBE11x23x10frEADGBE111234
Am6
EADGBEx2314
4frEADGBE2222x15frEADGBE1112347frEADGBE111x32

El Cantar Del Coquí in C#

El Cantar Del Coquí in C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to G (descending whole step), G to D (descending perfect fourth), D to F# (ascending major third), F# to E (descending whole step), E to F (ascending half step), F to E (descending half step), E to D# (descending half step), D# to A (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to F# by minor third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: F♯m69, C♯13, F♯m7, A13, G13, D13, F♯m9, Em69, F9♯11, E9♯11, D♯9♯11, Am6.

Scales for Improvisation C# bebop minor, C# bebop.