El Cantar Del Coquí in A

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
I
n
t
r
o
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A
-
B
-
C
-
D
-
E
-
F
-
C
o
d
a
Dm69
Dm69
Dm69
A13
Dm69
Dm69
Dm69
A13
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
F13
F13
D♯13
D♯13
A♯13
A♯13
A♯13
A♯13
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Dm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Dm69
Dm69
Dm69
A13
Dm69
Dm69
Dm69
C♯9♯11
C9♯11
B9♯11
A♯13
A♯13
Dm69
Dm69
Dm69
Dm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69

Chord Diagrams — El Cantar Del Coquí in A (Guitar)

Dm69
2frEADGBEx421
3frEADGBEx31246frEADGBEx231410frEADGBE2222x1
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
Cm69
EADGBE333x12
3frEADGBEx1246frEADGBE4123xx8frEADGBE2222x1
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
C9♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
Fm6
EADGBE1x234
3frEADGBE11xx326frEADGBE11x3249frEADGBExx2314

El Cantar Del Coquí in A

El Cantar Del Coquí in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to D (ascending perfect fourth), D to F (ascending minor third), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to D (ascending major third), D to C (descending whole step), C to C# (ascending half step), C# to C (descending half step), C to B (descending half step), B to F (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to D by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: Dm69, A13, Dm7, F13, D♯13, A♯13, Dm9, Cm69, C♯9♯11, C9♯11, B9♯11, Fm6.

Scales for Improvisation A bebop minor, A bebop.