Bacchanal in G

Kenny Barron(1977)jazz sambaJazz Samba ♩= 134
Do Re MiC D E
A
A
B
C
G9sus
G9sus
G9sus
G9sus
D9sus
D9sus
C9sus
C9sus
C9sus
G9sus
G9sus
G9sus
G9sus
D9sus
D9sus
C9sus
C9sus
C9sus
G13♭9
G13♭9
Cm11
Cm11
Cm11
F♯13
A♯mM7
E13♯11
D♯maj9
D♯maj9
D♯maj9
C♯69
Bmaj9
G9sus
G9sus
G9sus
G9sus
D9sus
D9sus
G♯69♯11

Chord Diagrams — Bacchanal in G (Guitar)

G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
A♯mM7
A♯ - C♯ - F - A
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
E13♯11
E - G♯ - B - D - F♯ - A♯ - C♯
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x8frEADGBE1111x411frEADGBExx2314
C♯69
EADGBE11x432
EADGBE11x2348frEADGBE11123410frEADGBExx2134
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
G♯69♯11
G♯ - C - D♯ - F - A♯ - D

Bacchanal in G

Bacchanal in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to D (descending perfect fourth), D to D (ascending unison), D to C (descending whole step), C to C (ascending unison), C to G (descending perfect fourth), G to C# (ascending tritone), C# to C (descending half step), C to F# (ascending tritone), F# to A# (ascending major third), A# to A# (ascending unison), A# to A# (ascending unison), A# to E (ascending tritone), E to D# (descending half step), D# to C# (descending whole step), C# to B (descending whole step), B to C (ascending half step), C to A# (descending whole step), A# to G# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G by half step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz samba4/4 · 52 bars · Form: AABC

Chords: G9sus, D9sus, D9, C9, C9sus, G13♭9, C♯9, Cm11, F♯13, A♯m, A♯mM7, A♯m7, E13♯11, D♯maj9, C♯69, Bmaj9, C, A♯, G♯69♯11.

Scales for Improvisation G bebop, G bebop major.