Bacchanal in F#

Kenny Barron(1977)jazz sambaJazz Samba ♩= 134
Do Re MiC D E
A
A
B
C
F♯9sus
F♯9sus
F♯9sus
F♯9sus
C♯9sus
C♯9sus
B9sus
B9sus
B9sus
F♯9sus
F♯9sus
F♯9sus
F♯9sus
C♯9sus
C♯9sus
B9sus
B9sus
B9sus
F♯13♭9
F♯13♭9
Bm11
Bm11
Bm11
F13
AmM7
D♯13♯11
Dmaj9
Dmaj9
Dmaj9
C69
A♯maj9
F♯9sus
F♯9sus
F♯9sus
F♯9sus
C♯9sus
C♯9sus
G69♯11

Chord Diagrams — Bacchanal in F# (Guitar)

F♯9sus
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
F♯13♭9
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
AmM7
A - C - E - G♯
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D♯13♯11
D♯ - G - A♯ - C♯ - F - A - C
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
A♯maj9
EADGBE1113x
3frEADGBE1111435frEADGBE11243x6frEADGBE112234
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
G69♯11
G - B - D - E - A - C♯

Bacchanal in F#

Bacchanal in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to B (descending whole step), B to B (ascending unison), B to F# (descending perfect fourth), F# to C (ascending tritone), C to B (descending half step), B to F (ascending tritone), F to A (ascending major third), A to A (ascending unison), A to A (ascending unison), A to D# (ascending tritone), D# to D (descending half step), D to C (descending whole step), C to A# (descending whole step), A# to B (ascending half step), B to A (descending whole step), A to G (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz samba4/4 · 52 bars · Form: AABC

Chords: F♯9sus, C♯9sus, C♯9, B9, B9sus, F♯13♭9, C9, Bm11, F13, Am, AmM7, Am7, D♯13♯11, Dmaj9, C69, A♯maj9, B, A, G69♯11.

Scales for Improvisation F# bebop, F# bebop major.