Bacchanal in D

Kenny Barron(1977)jazz sambaJazz Samba ♩= 134
Do Re MiC D E
A
A
B
C
D9sus
D9sus
D9sus
D9sus
A9sus
A9sus
G9sus
G9sus
G9sus
D9sus
D9sus
D9sus
D9sus
A9sus
A9sus
G9sus
G9sus
G9sus
D13♭9
D13♭9
Gm11
Gm11
Gm11
C♯13
FmM7
B13♯11
A♯maj9
A♯maj9
A♯maj9
G♯69
F♯maj9
D9sus
D9sus
D9sus
D9sus
A9sus
A9sus
D♯69♯11

Chord Diagrams — Bacchanal in D (Guitar)

D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
D13♭9
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
Gm11
EADGBE2x341x
3frEADGBE1111145frEADGBE11xx238frEADGBE11x234
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
FmM7
F - A♭ - C - E
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
A♯maj9
EADGBE1113x
3frEADGBE1111435frEADGBE11243x6frEADGBE112234
G♯69
EADGBE11111x
EADGBE1112345frEADGBExx213410frEADGBE11x234
F♯maj9
EADGBE111243
EADGBE11x2343frEADGBExx21438frEADGBE22214x
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
D♯69♯11
D♯ - G - A♯ - C - F - A

Bacchanal in D

Bacchanal in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to A (ascending unison), A to G (descending whole step), G to G (ascending unison), G to D (descending perfect fourth), D to G# (ascending tritone), G# to G (descending half step), G to C# (ascending tritone), C# to F (ascending major third), F to F (ascending unison), F to F (ascending unison), F to B (ascending tritone), B to A# (descending half step), A# to G# (descending whole step), G# to F# (descending whole step), F# to G (ascending half step), G to F (descending whole step), F to D# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to D by half step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz samba4/4 · 52 bars · Form: AABC

Chords: D9sus, A9sus, A9, G9, G9sus, D13♭9, G♯9, Gm11, C♯13, Fm, FmM7, Fm7, B13♯11, A♯maj9, G♯69, F♯maj9, G, F, D♯69♯11.

Scales for Improvisation D bebop, D bebop major.