Bacchanal in C

Kenny Barron(1977)jazz sambaJazz Samba ♩= 134
Do Re MiC D E
A
A
B
C
C9sus
C9sus
C9sus
C9sus
G9sus
G9sus
F9sus
F9sus
F9sus
C9sus
C9sus
C9sus
C9sus
G9sus
G9sus
F9sus
F9sus
F9sus
C13♭9
C13♭9
Fm11
Fm11
Fm11
B13
D♯mM7
A13♯11
G♯maj9
G♯maj9
G♯maj9
F♯69
Emaj9
C9sus
C9sus
C9sus
C9sus
G9sus
G9sus
C♯69♯11

Chord Diagrams — Bacchanal in C (Guitar)

C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
C13♭9
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Fm11
EADGBE111114
EADGBE11xx236frEADGBE11x23411frEADGBE111342
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
D♯mM7
D♯ - F♯ - A♯ - D
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
A13♯11
A - C♯ - E - G - B - D♯ - F♯
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
F♯69
EADGBE111234
EADGBExx21346frEADGBE1111x28frEADGBE11x234
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
C♯69♯11
C♯ - F - G♯ - A♯ - D♯ - G

Bacchanal in C

Bacchanal in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to G (ascending unison), G to F (descending whole step), F to F (ascending unison), F to C (descending perfect fourth), C to F# (ascending tritone), F# to F (descending half step), F to B (ascending tritone), B to D# (ascending major third), D# to D# (ascending unison), D# to D# (ascending unison), D# to A (ascending tritone), A to G# (descending half step), G# to F# (descending whole step), F# to E (descending whole step), E to F (ascending half step), F to D# (descending whole step), D# to C# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to C by half step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz samba4/4 · 52 bars · Form: AABC

Chords: C9sus, G9sus, G9, F9, F9sus, C13♭9, F♯9, Fm11, B13, D♯m, D♯mM7, D♯m7, A13♯11, G♯maj9, F♯69, Emaj9, F, D♯, C♯69♯11.

Scales for Improvisation C bebop, C bebop major.