Atras De Nos in G

Richard Boukas(1991)sambaMed. Samba ♩= 124
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
C
o
d
a
1
-
C
o
d
a
2
G6/9
G6/9
D♯6/9
D13♭9
G6/9
G6/9
D♯6/9
D13♭9
D13♭9
G6/9
Cmaj9
Emaj9
G6/9
C13♯11
C13♯11
D♯6/9
D7♯9♯5
D13♭9
G6/9
D13♭9
G6/9

Chord Diagrams — Atras De Nos in G (Guitar)

G6/9
EADGBE1
EADGBE1112344frEADGBE2222x19frEADGBE11x234
D♯6/9
EADGBExx234
EADGBE1111x25frEADGBE11x23410frEADGBE111234
D13♭9
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
B7♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
C13♯11
C - E - G - B♭ - D - F♯ - A
D7♯9♯5
D - F♯ - A♯ - C - F

Atras De Nos in G

Atras De Nos in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to D# (descending major third), D# to D (descending half step), D to A (descending perfect fourth), A to C (ascending minor third), C to B (descending half step), B to E (ascending perfect fourth), E to C (descending major third), C to D (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 23 bars · Form: Intro-A-B-C-D-E-Coda1-Coda2

Chords: G6/9, D♯6/9, D13♭9, Am9, Cmaj9, B7♯9, Emaj9, C13♯11, D7♯9♯5.

Scales for Improvisation G bebop, G bebop major.