Atras De Nos in B

Richard Boukas(1991)sambaMed. Samba ♩= 124
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
C
o
d
a
1
-
C
o
d
a
2
B6/9
B6/9
G6/9
F♯13♭9
B6/9
B6/9
G6/9
F♯13♭9
F♯13♭9
B6/9
Emaj9
G♯maj9
B6/9
E13♯11
E13♯11
G6/9
F♯7♯9♯5
F♯13♭9
B6/9
F♯13♭9
B6/9

Chord Diagrams — Atras De Nos in B (Guitar)

B6/9
EADGBE11x234
6frEADGBE1112348frEADGBE2222x111frEADGBE11x432
G6/9
EADGBE1
EADGBE1112344frEADGBE2222x19frEADGBE11x234
F♯13♭9
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
E13♯11
E - G♯ - B - D - F♯ - A♯ - C♯
F♯7♯9♯5
F♯ - A♯ - D - E - A

Atras De Nos in B

Atras De Nos in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to G (descending major third), G to F# (descending half step), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to E (descending major third), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 23 bars · Form: Intro-A-B-C-D-E-Coda1-Coda2

Chords: B6/9, G6/9, F♯13♭9, C♯m9, Emaj9, D♯7♯9, G♯maj9, E13♯11, F♯7♯9♯5.

Scales for Improvisation B bebop, B bebop major.