Atras De Nos in D

Richard Boukas(1991)sambaMed. Samba ♩= 124
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
C
o
d
a
1
-
C
o
d
a
2
D6/9
D6/9
A♯6/9
A13♭9
D6/9
D6/9
A♯6/9
A13♭9
A13♭9
D6/9
Gmaj9
Bmaj9
D6/9
G13♯11
G13♯11
A♯6/9
A7♯9♯5
A13♭9
D6/9
A13♭9
D6/9

Chord Diagrams — Atras De Nos in D (Guitar)

D6/9
2frEADGBEx431
4frEADGBE11x2349frEADGBE11123411frEADGBE2222x1
A♯6/9
EADGBEx123
5frEADGBE1112347frEADGBE2222x112frEADGBE11x234
A13♭9
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
F♯7♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
G13♯11
G - B - D - F - A - C♯ - E
A7♯9♯5
A - C♯ - F - G - C

Atras De Nos in D

Atras De Nos in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A# (descending major third), A# to A (descending half step), A to E (descending perfect fourth), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to G (descending major third), G to A (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 23 bars · Form: Intro-A-B-C-D-E-Coda1-Coda2

Chords: D6/9, A♯6/9, A13♭9, Em9, Gmaj9, F♯7♯9, Bmaj9, G13♯11, A7♯9♯5.

Scales for Improvisation D bebop, D bebop major.