Atras De Nos in A

Richard Boukas(1991)sambaMed. Samba ♩= 124
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
C
o
d
a
1
-
C
o
d
a
2
A6/9
A6/9
F6/9
E13♭9
A6/9
A6/9
F6/9
E13♭9
E13♭9
A6/9
Dmaj9
F♯maj9
A6/9
D13♯11
D13♯11
F6/9
E7♯9♯5
E13♭9
A6/9
E13♭9
A6/9

Chord Diagrams — Atras De Nos in A (Guitar)

A6/9
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234
F6/9
EADGBE123
EADGBExx21345frEADGBE1111x27frEADGBE11x234
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
F♯maj9
EADGBE111243
EADGBE11x2343frEADGBExx21438frEADGBE22214x
D13♯11
D - F♯ - A - C - E - G♯ - B
E7♯9♯5
E - G♯ - C - D - G

Atras De Nos in A

Atras De Nos in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F (descending major third), F to E (descending half step), E to B (descending perfect fourth), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to D (descending major third), D to E (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 23 bars · Form: Intro-A-B-C-D-E-Coda1-Coda2

Chords: A6/9, F6/9, E13♭9, Bm9, Dmaj9, C♯7♯9, F♯maj9, D13♯11, E7♯9♯5.

Scales for Improvisation A bebop, A bebop major.